Emiliano Giorgi è il cofondatore dello studio di progettazione BenGeneering.
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Emiliano Giorgi è il cofondatore dello studio di progettazione BenGeneering.
Direzione
Coordinamento
Recupero crediti
Amminstrazione
Progettazione
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Fat paunches have lean pats, and dainty bits/Make
rich the ribs but bankrupt quite the wits" (ll.26-27); Berowne's "examine is like the heaven's glorious solar,
/That will not be deep-searched with saucy seems;/Small have
continuous plodders ever received,/Save base authority from others'
books" (ll.84-87); the dialogue between the Berowne and the others relating to corn, geese and Spring (ll.96-109); Berowne's condemnation of study, "while it doth
study to have what it will,/It doth forget to do the thing it should;/And when it hath the
factor it hunteth most,/'Tis won as towns with fire - so gained, so lost" (ll.142-145); a few of the dialogue discussing Armado and the initial dialogue upon the arrival of Costard and Dull (ll.176-188); and the dialogue between Berowne and Costard which ends the scene (ll.293-302). Absent from 1.2 is many of the discussion between Moth and Armado as to how Armado could get three years' price of study into an hour (ll.33-55); the dialogue between Moth and Armado concerning the four complexions (ll.83-111); and Armado's references to duelling in his soliloquy (ll.169-171). Absent from 2.1 is the second set of phrase play between Berowne and Rosaline (ll.178-191); and a lot of the conversation between Boyet and Longaville (ll.198-206). Absent from 3.1 is many of the opening conversation between Moth and Armado regarding love (ll.6-49). Absent from 4.1 is a lot of the dialog between the Princess and the Forester regarding the deer (ll.11-41); the concluding traces of Armado's letter to Jaquenetta, "Thus dost thou
hear the Nemean lion roar/'Gainst thee, thou lamb,
that standest as his prey./Submissive fall his princely
toes earlier than,/And he from forage will incline to play./But if thou
attempt, poor soul, what artwork thou then?/Food for his rage, repasture for his den" (ll.87-92); the discussion between Boyet, Maria
and Costard about aiming (ll.128-140); and most of Costard's closing soliloquy (ll.143-148).
Absent from 4.2 is among the dialogue between Costard and Holofernes (ll.80-88).
4.3 is particularly heavily cut, with a few of the absences together with the opening few traces from Berowne's soliloquy
(ll.1-7), his preliminary apart upon the arrival of the
King, "Shot, by heaven! Proceed, sweet Cupid.
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